Avid DS Tutorial – Vignettes for Color Correction
Learn how to quickly build a preset for adding a vignette to your clips using the graphics tool and the color corrector as the fill layer in a custom shape.
Learn how to quickly build a preset for adding a vignette to your clips using the graphics tool and the color corrector as the fill layer in a custom shape.
When the Yankees shoot a “day in the life of Derek Jeter” segment for Yankees On Demand, a weekly hour-long program of exclusive Yankees content, they rely on an end-to-end Avid workflow specifically constructed for sports marketers.
Learn more: http://www.avid.com/US/products/family/Media-Composer?cmpid=AV-SM-MC5-3 With invisible, graceful editing and a workflow that makes the most of every hour of post-production—Media Composer raises the art of collaboration to new heights.
Avid breaks new ground and expands the Interplay product family with Interplay Central. Interplay Central delivers next-generation workflow paradigm media creation, distribution and management.
It all starts with you. You’ve told us you want to entertain, inform, create, do the work you love, gain the recognition it deserves, and build a more competitive business.
Avid customers share their best work It all starts with you. You’ve told us you want to entertain, inform, create, do the work you love, gain the recognition it deserves, and build a more competitive business.
Learn how to create an edge blur preset for Avid DS with expressions and custom sliders. Nice to have around for green screen compositing or to soften anything containing an alpha channel. Follow along to build the preset, save it, and then drop it into any effects tree with an alpha channel for fast and…
Create interesting effects by pushing the shadows and highlights of a shot towards different hues.
For a professional sports team like the Miami HEAT, it’s not just about what happens during the game. When the rest of the world goes to commercial, HEATV goes to air, firing up the HEAT franchise brand with a wide array of media assets managed by the Avid Interplay production asset management system. “The name…
When Media Composer® 5.0 was first introduced in 2010, one of the biggest changes to the application was the introduction of the SmartTool. The SmartTool is a palette or a collection of five different modes that are very common to working in the timeline. In Media Composer 5.5, the Keyframe button has been moved out…
This edition of the Digistor Tech Check takes a look at the AVID ISIS 5000 central storage system. Part 1: Technical Overview Part 2: Demonstration of the ISIS5000 with it’s easy to manage user interface. !!! NOTE !!! The video mentions that each RAID5 set contains a group of four disks. In fact its a…
Offline Online Sony XDCAM HD Proxy Workflow. If you have questions about this workflow please post them here: http://community.avid.com/forums/t/94734.aspx
Learn how to create a transport beam effect using a chroma key filter within Avid Media Composer.
Learn how to use a combination of effects to create a 3D world within Avid Media Composer.
Learn how to fix jump cuts using the Fluid Morph effect within Avid Media Composer.
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