Tutorial – Creating Titles in Photoshop for Avid Media Composer
How to create titles in Photoshop, for use in Media Composer.
How to create titles in Photoshop, for use in Media Composer.
Tutorial on exporting from Media Composer, then importing into resolve. Then some simple grading examples, and export back to media composer.
Kevin P. McAuliffe is back to show Media Composer users how to easily create multi-page credit rolls in a matter of minutes using the new
This tutorial will walk you through how to create a template sequence in Avid Media Composer. You’ll learn how to create a new sequence, add
Kevin P. McAuliffe shows Avid Media Composer users how to quickly create animated credit scrolls using the new BCC Title Studio. Simply type in text,
UK-based colorist and trainer Dan Harvey shares tips for color correction & grading inside Avid Media Composer. Get quick looks with filters like Fast Film
Avid certified trainer, Nick Harauz, shows Media Composer users BCC Lite – 4 free effects plugins from Boris FX Includes: Lens Flare 3D BCC Scanlines
Using Avid Media Composer and BCC 10 plug-ins with integrated mocha tracking & masking, Martin Brennand shows you how to replace an actor’s eyes when
In this tutorial you’ll learn the fundamentals of animating titles and graphics using NewBlue Titler Pro within Avid Media Composer. Discover the various ways to:
In this video, we will take a look at updating a 32bit Capture Server to 64bit.
In this video we will show you how to create a Channel Pool inside Interplay | Capture
In this video we take a look at the View Menu option inside Interplay | Capture.
In this video, we will show you how to create a recording in Interplay | Capture.
Avid’s Michael Krulik details updates included in the latest Media Composer 8.5, and in particular related to 4K workflows. Presented as part of the Digital
In this tutorial you’ll learn the fundamentals of using NewBlue Titler Pro within Avid Media Composer. Discover the simplicity of: • Adding style to text
Presented by: Daniel Huber Creativity is flowing, the deadline is looming, and the pressure is mounting. The last thing you want is a technical glitch
In this tutorial you’ll learn the fundamentals of using NewBlue Titler Pro within Avid Media Composer. See how easy it is create: • Title templates
Learn how to Rotoscope to create moving mattes within Avid Media Composer. This tutorial demonstrates how to clone a moving object ( the skateboarder).
This tutorial will teach you the different keyboard shortcuts for using Bins in Avid Media Composer. You’ll learn how to create a new bin, create
In this tutorial you’ll learn the fundamentals of using NewBlue Titler Pro within Avid Media Composer. Discover the various ways to: • Apply resolution independent
Welcome to the fifth episode of our 5-part tutorial series ‘Get Started Fast with Media Composer for High-Res Workflows’ on Avid Blogs. In this final
Welcome to the fourth episode of our 5-part tutorial series ‘Get Started Fast with Media Composer for High-Res Workflows’ on Avid Blogs. Using an Instagram
In this video we look at how to change the brightness of our interface in Avid Media Composer. When you first open Media Composer you
Welcome to the third episode of our 5-part tutorial series ‘Get Started Fast with Media Composer for High-Res Workflows’ on Avid Blogs. In this video,
When editing in Media Composer, often it is helpful to show the audio waveforms of your audio/music/voice clips in order to have a visual reference
Welcome to the second episode of our 5-part tutorial series ‘Get Started Fast with Media Composer for High-Res Workflows’ on Avid Blogs. This lesson focuses
When you render an effect in Media Composer you can have it play a tone upon render completion. This is helpful when you are waiting
Welcome to this first episode of our 5-part tutorial series ‘Get Started Fast with Media Composer for High-Res Workflows’ on Avid Blogs. In this lesson
In this video we look at how to use Top and Tail to edit in Media Composer across multiple tracks/clips (audio and video) in our
Remove all audio effect in Avid – Media Composer
Presented by: Daniel Huber For all Media Composer users, learn how to overcome common color space challenges by examining RGB and 601/709 color mapping. Learn
Editor Barney Pilling ACE, (Academy Award Nominee, The Grand Budapest Hotel) had been looking for a product like the ISIS | 1000; an affordable solution
What is new in BCC 10 for Avid users. In this episode of Boris TV, Kevin P. McAuliffe covers the major new features in BCC
For those who work in the MediaCentral environment, learn about current closed captioning workflows and how they’re integrated on the platform. Gain a better understanding
Manhattan Edit Workshop Director of Education Janet Dalton shows how to create a subclip in Avid Media Composer. Manhattan Edit Workshop is a New York
Manhattan Edit Workshop Director of Education Janet Dalton shows how to create audio keyframes in Avid Media Composer. Manhattan Edit Workshop is a New York
Manhattan Edit Workshop Director of Education Janet Dalton shows how to create audio keyframes in Avid Media Composer. Manhattan Edit Workshop is a New York
Manhattan Edit Workshop Director of Education Janet Dalton shows how to use the Match Frame tool in Avid Media Composer. Manhattan Edit Workshop is a
Manhattan Edit Workshop Director of Education Janet Dalton shows how to use the extract and lift tools in Avid Media Composer. Manhattan Edit Workshop is
Learn how to use the Chroma Key Function ‘Spectra Matte’ to fix a color cast problem within Avid Media Composer.
Get the industry-proven performance and reliability of ISIS in a more affordable, entry-level storage system designed for independent editors, audio post pros, and smaller post-production
Access media and work on Interplay® | Production, Interplay | MAM, and iNEWS® projects from practically any device, everywhere, using MediaCentral™ | UX, the web
Access media and work on Interplay® | Production, Interplay | MAM, and iNEWS® projects from practically any device, everywhere, using MediaCentral™ | UX, the web
Access media and work on Interplay® | Production, Interplay | MAM, and iNEWS® projects from practically any device, everywhere, using MediaCentral™ | UX, the web
Access media and work on Interplay® | Production, Interplay | MAM, and iNEWS® projects from practically any device, everywhere, using MediaCentral™ | UX, the web
Access media and work on Interplay® | Production, Interplay | MAM, and iNEWS® projects from practically any device, everywhere, using MediaCentral™ | UX, the web
Access media and work on Interplay® | Production, Interplay | MAM, and iNEWS® projects from practically any device, everywhere, using MediaCentral™ | UX, the web
Access media and work on Interplay® | Production, Interplay | MAM, and iNEWS® projects from practically any device, everywhere, using MediaCentral™ | UX, the web
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