
Creating Dailies in Davinci Resolve for Avid Media Composer (Part 1/7)
Step 1: Importing and organizing footage in Resolve Learn how to set up a Resolve project, import production camera files, and organize metadata.
Step 1: Importing and organizing footage in Resolve Learn how to set up a Resolve project, import production camera files, and organize metadata.
This is a very good video going through most you need to know about Assistant Editing for Reality Television Video is almost 5 hours long, and exceptionally good. 0:10:47 Editorial Teams0:11:35 Responsibilities0:14:18 The Process0:16:38 The Post Wokflow0:20:27 The Fundamentals of Video0:20:59 Resolution0:26:32 Interlacing0:40:26 Timecode0:41:53 Codec0:48:57 Bitrate0:50:37 Video Container1:07:22 Creating and Organizing an Avid Project1:16:42 Avid
Avid Senior Solutions Specialist Corey Tedrow demonstrates roundtripping between Media Composer and Adobe After Effects. Watch more tutorial videos at http://www.avid.com/mc-tutorials
This video shows how to export your footage using Tentacle Sync Studio’s AAF export function to get it into Avid Media Composer.
ISIS shared storage, part of the Avid Storage Suite, provide unparalleled system access, performance, and scalability, so your facility can enhance collaboration and operate more efficiently. More productions are shooting with 2K and 4K cameras, and facilities need a powerful storage system that supports these workflows. ISIS shared storage systems now support 4K and Ultra
Jonathan Wales on how Avid ISIS 5000 shared media storage affected his workflow and greatly increased efficiency & productivity. For more from this interview, and other discussions about world class studio equipment, visit: http://www.rspeaudio.com/RSPE_Audio_I… Avid ISIS 5000 Game changing capability and workflow flexibility has never been more affordable. ISIS 5000 sets the benchmark for real-time,
In this video, Justin Wingate will show you the basics for Sony XDCAM AMA. Survival Guide Video Series is proudly presented by Avid Support. The series covers basic troubleshooting, how-to, software activation, quick tips, and more. Subscribe to the Media Composer Survival Guide playlist for new episodes. http://www.youtube.com/playlist?list=…
Creating a sci-fi, adventure film with more than 1,000 visual effects, using a reliable, full-featured editing workflow.
This webcast provides unique insights into how you can create superlative stories from where they are happening and distribute them to more channels faster than ever before using Avid Interplay Sphere, Interplay Central, NewsCutter, and iNEWS.
ARRI’s line of ALEXA cameras has become popular among filmmakers, as the cameras can digitally capture the cinematic look of film. And now these cameras are able to record to high-quality, SMPTE-standard Avid DNxHD format, so you can edit the footage natively in Media Composer and Symphony—without transcoding or importing. In this video, ARRI’s JD
Imagine you’ve got major news stories breaking everywhere and an understaffed newsroom coping as best they can with an inundation of content coming in. With the industry’s most integrated, interconnected newsroom solutions, Avid can help you achieve a new level of production capability.
Imagine you need to produce a new, high-end reality show that features a few wrinkles TV audiences have never seen before. With the power to work quicker and more collaboratively, Avid can help you achieve the viewer engagement and ratings necessary to make your show an unqualified success.
Imagine you’ve got a stadium full of fans you need to get out of their seats and onto their feet. Now you can achieve a level of entertainment that keeps those fans coming back or tuning in time after time-no matter how your team is doing on the field.
With Stereoscopic filmmaking comes an entirely new set of creative techniques, rules and editing practices. Media Composer 6 includes a powerful, integrated stereoscopic workflow. In our free tutorial videos on Avid.com you’ll see how to take advantage of it. But, let’s begin by taking a look at how our eyes work in stereo. Become an
Avid had just three months to design and integrate a state-of-the-art file-based HD production and post workflow for one of the UK’s biggest shows—while it was still being produced.
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