Developed with Media Composer editors in mind, Sapphire Builder helps editors create custom effects and transitions quickly and easily, and is fully integrated within the Media Composer workflow. The result? The potential to build endless, professional looks for increased production value. Damien LeVeck (damienleveck.com/), an accomplished editor based in Los Angeles, CA will walk you
In this video you will learn how to do a simple zoom-in, or ease-in with Media Composer. We will use 3DWarp and keyframes. I’m using Media Composer 8.6, but the process is the same for other versions of Media Composer. Support BenoniStudio on Patreon https://www.patreon.com/user?u=4518225 Shirts https://shop.spreadshirt.com/Benoni Twitter https://twitter.com/BenoniStudio Instagram https://www.instagram.com/benonistudios/
Included with most every filter in BCC 10, the integrated PixelChooser with mocha is a sophisticated matte and masking system with planar tracking that makes fast work of isolating filter effects to a specific region of a clip. In this 15 minute tutorial, UK based Colourist and Finishing Artist Dan Harvey demonstrates how to leverage
In this Sapphire video effect tutorial, learn how to create your own unique and custom grunge backgrounds quickly and easily. This video tutorial shows you how to make your own customized grunge background. This cool and edgy video effect works especially great as a background or texture for title sequences, or for simply creating an
In this video we look at how to use the Paint Effect to re-color/colorize/color-correct a portion of a video clip, and how to use motion tracking with the Paint Effect in Avid Media Composer. We are using Avid Media Composer 8.5.1 in this video, but the process will be the same for other versions. First,
In a couple other Media Composer videos we were talking about not needing to scale up things like Muzzle Flashes when we import into Media Composer. In this video I want to show you this in action so you can see the difference in each of the Image Size Settings when you import. While we
Designed especially for Avid Media Composer, this LUT legalises video levels to be broadcast safe. RGB and Luma are corrected to be within EBU-R103 gamut requirements. A great purchasable alternative to hardware legalisers and perfect for file-based mastering
Using Avid Media Composer and BCC 10 plug-ins with integrated mocha tracking & masking, Martin Brennand shows you how to replace an actor’s eyes when they accidentally look at the camera. Using similar techniques you can quickly track, mask and replace performances, either to fix mistakes or to get creative with your shots. Learn more
Learn how to Rotoscope to create moving mattes within Avid Media Composer. This tutorial demonstrates how to clone a moving object ( the skateboarder).
Learn how to use the Paint effect to draw shapes and add text directly on screen in Avid Media Composer. Watch more tutorials from Video Post Tips Weekly at http://www.lynda.com/Final-Cut-Pro-tu… This Video Post Tips Weekly series offers a new post-production tip every Wednesday, on topics such as compositing, color correction, audio, and media management.
In this tutorial, see how to use Avid Media Composer to track a mask: a technique you can use to blur out faces in your footage, for example. This specific tutorial is from the Video Post Tips Weekly series presented by lynda.com author Ashley Kennedy. The complete course is presented as a weekly lynda.com series
Kevin P. McAuliffe shows us how to use flash transitions to instantly stylize your video in Avid Media Composer. ► Download a free sample of the Rampant Studio Flash Transitions here: http://www.mediafire.com/download/4i0… ►Download the complete Rampant Studio Flash Transitions library here: http://rampantdesigntools.com/product… ►Sign up for the Rampant Newsletter: http://rampantdesigntools.com/newslet… ►Follow Rampant on Twitter – @RampantDesign
For those who might be new to Avid Media Composer, here’s a quick tutorial on how to make custom transitions with the built-in PAINT EFFECT. Flash to white, blur dissolve…combo of both. A tip you can then apply many options to. – See more at: How to Create Custom Scene Transitions with the Paint Effect
In this video we look at how saving effect settings for commonalities between clips can really speed up your editing session. As a Media Composer user, you probably already know how to save effect settings. But, you can also save a partial set of settings that will apply to several clips, and then go back
Media Composer quick tip to remain in color correction mode while jumping to in or out marks. Triggered by a question on the DS list about Goto In or Out while in color correction mode of the Media Composer. Frustration loomed as editors were forced back into source/record mode wasting valuable time and keystrokes to
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