Avid Everywhere for Broadcast.

Today’s broadcast industry is going through unprecedented change. In order to survive and thrive in this transformative era, broadcasters need to increase collaboration among their teams, optimize the value of their media assets, and deliver higher-quality media that engages audiences on multiple screens. Our Avid Everywhere vision for broadcast solves these unique needs by providing […]

Continue Reading »

Avid Everywhere for Video

Avid Everywhere is our strategic vision for helping content creators and media organizations connect with consumers more powerfully, efficiently, collaboratively, and profitably. Video professionals and post-production houses are facing unprecedented challenges. As media technology continues to evolve, projects are getting larger and more complex. It has become necessary to connect creative professionals in distributed workflow […]

Continue Reading »

To Be An Editor ‒ Avid®

What does being an editor mean to you? Sound off in the comments, or tell us on Twitter with hashtag #ToBeAnEditor. The team recently had the chance to interview an amazing group of professional editors in filmmaking and post production. Each had a unique take on the role of the modern editor and explained why […]

Continue Reading »

IBC 2013: Broadcast and Media ◄ Everywhere

The Broadcast and Media industry is facing unprecedented change—find out what you can do to win. Our new strategic vision will manifest itself as the most fluid end-to-end distributed media production environment in the industry—a comprehensive ecosystem that encompasses every aspect of the new digital media value chain. Learn how Avid Everywhere will help you […]

Continue Reading »

Media Composer® 7 ‒ Background Media Processing ‒ Avid®

Spend more time being creative by automating media tasks in the background. Gain more time for creativity with new features that accelerate and simplify file-based workflows. With Dynamic Media Folders, non-creative media tasks such as transcoding, copying, and consolidating can be automated in the background, without disrupting your editorial flow. Plus, you’ll get peace of […]

Continue Reading »

Media Composer® 7 ‒ Hi-Res Workflows Featuring FrameFlex™ ‒ Avid

Acquire high-resolution media and deliver in HD—with full creative control of reframing. More content today is shot with high-res cameras, but the majority of programming is still HD. With the new FrameFlex tools, you can immediately start working in HD directly from high-res sources and maintain full creative control of the image reframing and keyframing, […]

Continue Reading »

Pro Tools® 11 ‒ The New Standard for Audio Production ‒ Avid

The most powerful digital audio workstation just got more powerful. Pro Tools 11 redefines professional music and audio production for today’s workflows. From all-new audio and video engines and turbocharged 64-bit performance, to expanded metering and new HD video workflows, Pro Tools 11 enables you to take on the most demanding sessions and maximize your […]

Continue Reading »

Preview of Avid Media Composer 7 and Protools 11 from Rick Young on Vimeo.

Preview of Avid Media Composer 7 and Pro Tools 11

Announced at NAB 2013 is two major upgrades from Avid. Media Composer 7 has many new features and a significant price drop, now starting at $999 USD. Protools version 11 has also been announced. Both of these latest releases are expected to be available in June 2013. **New features Media Composer 7** * AMA media […]

Continue Reading »
Media Composer Control and the Middle Mouse Roller

Media Composer Control and the Middle Mouse Roller

Hold down the control key and use your middle mouse roller for fine control for many of the Media Composer functions including: Color Correction functions Effect Mode sliders Timeline Navigation. I guess there is a Mac Equivalent with a decent mouse.

How to get the best Color Correction with Avid Media Composer

How to get the best Color Correction with Avid Media Composer

This tutorial demonstrates how to leverage Avid’s powerful and efficient color correction by working in Color Correction mode, which allows you quick access to its color grading features but keeps them out of the way while you’re editing

Avid Application Manager new licensing and update tool.

Avid Application Manager new licensing and update tool.

From Media Composer | Software v8.0 and going forward we will use the new Avid Application Manager. Use this to see if there are uptdates for your software, to activate software licenses, floating licenses, and update the Dongle. Check out this video showing the Avid Application Manager, thanks Phill Naylor for making the video:

4K Workflows with Avid ISIS: Media Composer and DaVinci Resolve

4K Workflows with Avid ISIS: Media Composer and DaVinci Resolve

ISIS shared storage, part of the Avid Storage Suite, provide unparalleled system access, performance, and scalability, so your facility can enhance collaboration and operate more efficiently. More productions are shooting with 2K and 4K cameras, and facilities need a powerful storage system that supports these workflows. ISIS shared storage systems now support 4K and Ultra […]

Avid Everywhere for Broadcast.

Avid Everywhere for Broadcast.

Today’s broadcast industry is going through unprecedented change. In order to survive and thrive in this transformative era, broadcasters need to increase collaboration among their teams, optimize the value of their media assets, and deliver higher-quality media that engages audiences on multiple screens. Our Avid Everywhere vision for broadcast solves these unique needs by providing […]

Avid Everywhere for Audio

Avid Everywhere for Audio

Avid Everywhere is our strategic vision for helping content creators and media organizations connect with consumers more powerfully, efficiently, collaboratively, and profitably. Competition in the music and audio industry has never been more fierce—or opportunistic. Whether you’re an artist, musician, producer, engineer, sound designer, editor, or remixer, you need to create compelling songs and audio […]

Avid Everywhere for Video

Avid Everywhere for Video

Avid Everywhere is our strategic vision for helping content creators and media organizations connect with consumers more powerfully, efficiently, collaboratively, and profitably. Video professionals and post-production houses are facing unprecedented challenges. As media technology continues to evolve, projects are getting larger and more complex. It has become necessary to connect creative professionals in distributed workflow […]

Media Composer – GoPro – Boris Continuum Complete Workflow

Media Composer – GoPro – Boris Continuum Complete Workflow

If there’s one “darling” company in the production world, it has to be GoPro. Say what you like about all the other cameras and tech equipment out there, but GoPro cameras have gone from being a niche product that only snowboarders and surfers used, to a product that’s used on almost every reality television program […]

Media Composer – Color Correction Jump to In or Out Marks

Media Composer – Color Correction Jump to In or Out Marks

Media Composer quick tip to remain in color correction mode while jumping to in or out marks. Triggered by a question on the DS list about Goto In or Out while in color correction mode of the Media Composer. Frustration loomed as editors were forced back into source/record mode wasting valuable time and keystrokes to […]

Adjusting Audio Levels in Avid Media Composer 7 (Manhattan Edit Workshop Training Series)

Adjusting Audio Levels in Avid Media Composer 7 (Manhattan Edit Workshop Training Series)

Manhattan Edit Workshop instructor Janet Dalton’s tutorial for using Frame Flex in Avid MC7. For more information about our courses please go to mewshop.com/courses/overview/

Frame Flex in Avid Media Composer 7 (Manhattan Edit Workshop Training Series)

Frame Flex in Avid Media Composer 7 (Manhattan Edit Workshop Training Series)

Manhattan Edit Workshop instructor Janet Dalton’s tutorial for using Frame Flex in Avid MC7. For more information about our courses please go to mewshop.com/courses/overview/

Get Started Fast with Avid for Final Cut Pro 7 Editors: Lesson 5

Get Started Fast with Avid for Final Cut Pro 7 Editors: Lesson 5

If you’re not getting what you need to succeed—or you’re a former Avid user who switched (we’d love to have you back)—join award-winning editor Kevin P McAuliffe to get started fast. AvidBlogs.com/FCP7Fast/ In our fifth and final “Get Started Fast with Avid for Final Cut Pro 7” tutorial, Kevin P McAuliffe opens up the Audio […]

Media Composer AutoNotch Tip for Color Grading Preparation

Media Composer AutoNotch Tip for Color Grading Preparation

Use Pan and Scan to notch media based on an AAF composition or an old school .edl I came up with this trick in the 90s when Symphony was released and posted it to the Avid List way back when. Hope it helps someone. With this trick you can easily add edits to a videomixdow […]

Get Started Fast with Avid for Final Cut Pro 7 Editors: Lesson 4

Get Started Fast with Avid for Final Cut Pro 7 Editors: Lesson 4

If you’re not getting what you need to succeed—or you’re a former Avid user who switched (we’d love to have you back)—join award-winning editor Kevin P McAuliffe to get started fast. AvidBlogs.com/FCP7Fast/ In our fourth “Get Started Fast with Avid for Final Cut Pro 7″ tutorial, Kevin P McAuliffe tackles effects. Learn how to transfer […]

Get Started Fast with Avid for Final Cut Pro 7 Editors: Lesson 3

Get Started Fast with Avid for Final Cut Pro 7 Editors: Lesson 3

If you’re not getting what you need to succeed—or you’re a former Avid user who switched (we’d love to have you back)—join award-winning editor Kevin P McAuliffe to get started fast. http://www.avidblogs.com/fcp7fast/ In our third “Get Started Fast with Avid for Final Cut Pro 7″ tutorials, Kevin P McAuliffe shows you how to gain peace […]

Page 1 of 38123456...102030...Last »